Barbara Kennington is appointed Texprint's New Chairman

    Barbara Kennington

    I wish to congratulate Barbara Kennington who has been appointed as the new Chairman of TEXPRINT , the non-profit UK organization responsible for discovering and nurturing many home-grown UK textile designers.  Kennington will formally take over from Julius Schofield in September this year when TEXPRINT will once again be taking part in the INDIGO textile fair in Paris. TEXPRINT will be awarding prestigious textile prizes to this year’s winners at the Paris event, after announcing the winners in July.   I remember Kennington well as I had attended her trend presentations on various occasions when she was creative director of WGSN, the multi-million pound online fashion trend information website.
    Julius Schofield (R) at Indigo, Paris, Sept. 2009, with Harold Tillman (L), BFC chairman.  Photo by Lucia Carpio
    Under the leadership of Schofield (seen here in a dark suit with Harold Tillman, chairman of British Fashion Council, at Indigo, Sept. 2009)  TEXPRINT's global prominence has reached new heights.  Schofield has been responsible for enlisting the support of many well-known designers including Diane Von Furstenberg and Giles Deacon. Many of today’s achieved designers are alumni of TEXPRINT, such as Louise Goldin and Alice Temperley. Julius Schofield says of his successor: “I feel very proud to be handing over to Barbara. I know she will bring a new insight into the world of textiles and further help the TEXPRINT charity to develop more amazing talent from those studying at some of the UK’s leading art colleges. Barbara will be taking over in Paris at our major event later this year. In the meantime, she will be observing all the core activities involved in developing TEXPRINT’s 24 designers.”  Kennington graduated from London’s Royal College of Art in the late 1970s at which time she set up her own label becoming part of London’s ‘new wave’ of design talent. Later, moving on to work as Design director for Desmond & Sons, then Coats Viyella PLC, both major suppliers to Marks & Spencer. In 1997, having developed the concept of WGSN with its founders Mark and Julian Worth, Kennington was invited to join WGSN to put the concept into action. Within 10 years WGSN became the world’s leading online fashion information site with a turnover of £30 million and upwards of 2,500 companies subscribing worldwide.   Barbara Kennington says of her new role: “Having long been an advocate of TEXPRINT and admiring all it does in supporting British design talent, I was truly delighted to be offered the role of chairman. Julius Schofield is undoubtedly a hard act to follow, but I shall enjoy trying! My aim will be to continue to take TEXPRINT forward, exploring new aspects of communication (both online and offline), new ways of promoting our extraordinary wealth of design talent, and also finding new connections within the wider global industry.”  

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Barbara Kennington is appointed Texprint's New Chairman


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Anthropologie Opens in Historic London Building

    Photo by Lucia CarpioAnthropologie in the Antiquarius building, photo by Lucia CarpioPhoto by Lucia CarpioAt a time when the market continues to be challenging, I feel it is vitally important that retailers provide a unique shopping experience for their customers. I visited the new Anthropologie store on London’s King’s Road a couple of days ago, and was delighted to find it stays true to Anthropologie's unique DNA. Stocked with an eclectic mix of inspirational designs, the new 8,000 sq. ft. store is set in the iconic historic Antiquarius building, which was once London’s most stylish antiques centre in the heart of Chelsea.  This is a perfect building to provide the shopper a unique experience, offering architectural splendour and a generous space for customers to experience Anthropologie’s inspiring displays, to feel and touch the fashion and home décor  products that have been imbued with artisan touches.   This is Anthropologie’s second store in the capital following the opening of its Regent Street store a few months ago.  I have been admiring Anthropologie's refreshing approach to its assortment of artisan-crafted vintage-style fashion and homeware through my various market research trips to New York and Boston. For lovers of global cultures, the Anthropologie stores are decorated with intricate details crafted with a bewitching charm and often with a bohemian twist.  Often the stores have dedicated spaces for displaying art pieces. This one on King’s Road has a small Gallery attached to the store and currently on show is an exhibition called “Porcelain Castle” by Swedish artists Maria Larsson and Maria Olevik. The focus is on sculptural bone china objects in the context of a library. James Bidwell, Managing Director of Anthropologie Europe (previously marketing director of Selfridges) said the opening of the new King’s Road store coincides with the launch of a new website.  Although it's great one can do on-line shopping in the convenience of one's home, but I wouldn't want to miss the unique experience one gets from visiting an Anthropologie store in person. Porcelain Castle in The Gallery, photo by Lucia Carpio

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Anthropologie Opens in Historic London Building


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Stores Pop-Up at Shopping Centre

    FrostFrench fashion at Whiteleys, photo by Lucia Carpio
    Recent reports I've read have painted a more positive picture for retail performance. In the UK, while there is caution over the continuing wet and cold weather over the long Easter holiday weekend, the Office for National Statistics reported that fashion stores are spearheading retail sales, while the BDO LLP  accounting consultancy also said UK high street sales have shown positive growth, with fashion growing at 9.1 per cent for eight weeks ending on 14th March, comparing favourably with the same period last year. Womenswear and formalwear were the better performing sectors.

    Junky Food T-shirts at Whiteleys, photo by Lucia Carpio
    Kelly Osbourne and fiancé Luke Worrall at Whiteleys, photo by Dave M. Benett, Getty ImagesAccording to a recent study by PricewaterhouseCoopers and retail consultancy Retail Forward, “The New Consumer Behaviour Paradigm: Permanent or Fleeting”, shoppers in the US are more careful in the way they spend and the days of impulse buying are over.  Back in London, a fleeting retailing experience has been “popping up” over the last year or so. Pop-up stores have become a marketing tool in these post-recession challenging times. While landlords look at ways to fill-up otherwise empty shop spaces, retailers can use it as a way to test the market before committing to a long-term lease.  Last Thursday (traditionally a late-shopping day in London), I attended the opening night of a series of ‘pop-up’ stores on the 1st floor of the Whiteleys  shopping centre in Bayswater. Alongside Whiteley’s permanent boutique Fussy Nation which opened end of last year, the pop-up stores included the FrostFrench brand by Sadie Frost (ex-wife of actor Jude Law) and Jemima French, who were both there, as well as Junk Food for retro American T-shirts, vintage brand Wildfox and Disney Couture. These temporary boutiques, lasting till December, provide a much-needed boost for the Whiteleys which, although it does have Zara, Gap, H&M and Muji, an Odeon cinema and various restaurants on offer, and is not far from the aspirational boutiques of Westbourne Grove, it does lack that upmarket fashion appeal of Westfield in White City/Shepherds Bush. For fashionistas, the Whiteleys opening night was a chance to dress to impress and to rub shoulders with the likes of Remi Nicole, Kelly Osbourne and Eliza Doolittle.  Ellen Lewis, Associate Director of Jones Lang LaSalle who has managed the initiative for Standard Life Investments, said consumer habits have changed drastically in the last five years, so it’s vital that shopping environments and stores align with customer demand. The whole “pop store” concept gives consumers something that is exclusive and discovery-driven as many of the products on sale tend to be limited editions or limited quantities selling in a short timespan. “With rotating retail brands and/or store environments, customers can experience and purchase something different with every visit.”

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Stores Pop-Up at Shopping Centre


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Leather Ideal for all year round

    LE CUIR - Lori Chalmers
    As the weather turns warmer here in London, I am wearing my favourite leather jackets which is so versatile even during this unpredictable season of rain and showers. Although I don't work in leather but I make a point to visit  LE CUIR A PARIS trade fair each season (because I'm in Paris for Premiere Vision Pluriel anyway) to pick up the latest trends for leather used for all purposes, and because like most women, I love shoes and bags. At Le Cuir I find inspiration for fashion generally.  Leathers on show at the fair include all finished and partially tanned skins, special and exotic skins, furs, raw hides, as well as substitution materials, natural and artificial fabrics for the leather goods industry.  Below you'll find a mini slide show of some the latest leather on offer by producers around the world for Autumn Winter 2010/2011.  I have selected samples of interesting surface details and textures to show the variety and developments that have given leather that added edge, and hope they inspire you to look at leather as a fashion material.  Pictures are provided by organisers at Le Cuir.  I have submitted a write-up on the fair as part of my Premiere Vision Pluriel report for the Textile Asia magazine in their April edition.  Will keep you posted when that comes out.

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Leather Ideal for all year round


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Surface Textures for Leather Winter 2010/11

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Surface Textures for Leather Winter 2010/11


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Christopher Raeburn and London's emerging talents Showing in New York this week

    Christopher Raeburn posing with his Autumn/Winter 2010 collection at London Fashion Week in February.  Photo by Lucia Carpio
    New York and London historically enjoy close ties, thus the term NyLON was coined. So I'm thrilled to learn that, in my view, one of London's most talented new designers, Christopher Raeburn (who made his mark by creating ethically-aware men’s and womenswear collections utilising re-appropriated military fabrics and parachute materials) will be one of some 20 emerging designer talents from London to show in New York this week, between 23rd and 25th, at Penthouse Lofts, Soho Grand on 310 West Broadway in New York.  The London designers are participating in a subsidised programme aimed at increasing the awareness of the designers and developing their media coverage and businesses in the US.  The LONDON show ROOMS is part of the British Fashion Council (BFC)'s international initiative, and in the past three seasons, it was run in Paris and this is the first time that the designers will be in New York, in partnership with Centre for Fashion Enterprise. Caroline Rush, CEO (Joint) of the BFC, comments “It will give our best young designers the means to further their global business profile.”  Wendy Malem, Director, Centre for Fashion Enterprise adds that the London show Rooms (supported by UK Trade and Investment) initiative is a signal to buyers, the finance community and manufacturers that these designers are respected, well supported and mean business.   As for Raeburn, his work was handpicked for ‘Camouflage’, a recent exhibition at the Imperial War Museum in London where he showcased reversible fashion.  During London Fashion Week in February, Raeburn (a Royal College of Art gratudate) explained to me that he uses original fabrics from British battle dress jackets, camouflage ponchos, Swedish snow cotton and battered Italian leather military jackets for a collection designed to withstand and protect from everyday extremes.  Raeburn divided his collection into a flyweight range of streamlined windcheaters and a new edition of heavy duty coats, bombers and smocks.  The lightweight collections saw his first use of an inky shiny performance nylon - skylon - in a calf-length parka, cropped ajcket and reversible hoodie feturing detailing such as screen printing and taped seaming.  There was also a Limited Edition with individually numbered, boldly re-appropriated winter wear, exclusively limited to 50 of each garment.  (See more on Camouflage fabric designs in "Walking with Animal Patterns" below.)

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Christopher Raeburn and London's emerging talents Showing in New York this week


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Walking with Animal Patterns

    Printed hides from G H Leathers.  All photos here by Lucia CarpioPrinted leathers by The Deep Print Movement at Le Cuir a ParisRotary Textile Linea Full FashionL-R, France Textile Fabrication, Les Tissus Marey, Luigi VergaL-R, Malha Kent, Arcenti Seterie, Sungmin, Niedick, Schiera, Gierlings Velour, KBCL-R, Zibetti e Orsini, KBC, Guest Div. Clerici Tessuto

    From silk to leather, hides, fancy tweeds and velvet,  material designs for 2011 are taking a walk on the wild side with animal-inspired prints and camouflage designs. As seen at recent trade fairs in London and Paris, animal spots and stripes, and camouflage patterns have been given a major boost. Having spent time observing animals in their natural habitats on recent safari holidays, I was naturally drawn to these designs.  G H Leathers based in Northants in the UK stocks a vast range of skins in a wide range of colours, and they showed off some animal-inspired prints on cow hide at the Textile Forum show in London earlier this month. Amos Hill explained to me that the hides were imported from Brazil, and new designs included animal spots, zebra stripes, as well as nature-inspired motifs such as flowers and butterflies. G H Leathers is considered a valuable resource for designers of bags, luggage, and accessories, and they also sell traditional cow hide rugs.  Last month at the Le Cuir a Paris show, I met Rosie Drew, of the Britished-owned The Deep Print Movement, who explained that they use advanced printing techniques and have been working with the likes of Paul Smith, Hermes and Dunhill to produce leather goods of premium quality such as bags and wallets, furniture, games, sporting and office goods.  Over at the Expofil yarn segment of Premiere Vision (still in Paris), Rachel Crumbley, senior product trend analyst at Cotton Incorporated, confirmed to me that camouflage colours will also be one of their key trends for Fall/Winter 2011 /2012.  When previewing new designs at the Premiere Vision fabric fair, I was pleased to find camouflage designs from French, Italian and German mills like F.T.F. (France textile Fabrication), Les Tissus Marey and Luigi Verga, as those from Zibetti e Orsini, Gallus and KBC.  They  were sophisticated and even chic, rather than the usual print that we would normally associate with the combat field. The updated cutting-edge patterns often appear distorted or blurred, or the fabric is covered with sequins or printed on sheer fabrics. Motifs from Rotary, for example, are stylised abstract patterns in camouflage colours.

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Walking with Animal Patterns


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RIP JOSEPH ETTEDGUI 1938 - 2010

    I would like to pay tribute to Joseph Ettedgui, the legendary London retailer who founded JOSEPH the eponymous designer shops. The designer passed away yesterday at a private hospital in London after a long illness. He was 72. Ettedgui, the charismatic designer, was born in Casablanca. Of French-Moroccan parents, Ettedgui came to London in the late 50s and trained as a hairdresser. He entered the fashion industry after visiting Paris and met Kenzo, whose sweaters were among the first things he sold in his shop on King’s Road.  The visionary designer was best known for shaping London as a destination for chic fashion, and I love the jackets and suits I had bought from his Joseph shops that have remained my favourite pieces in my wardrobe. Their flattering cuts always bring me compliments whenever I wear them. Although he left the business five years ago, he remained a champion of the London fashion scene.   May you rest in peace, Joseph and may your pioneering spirit lives on.

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RIP JOSEPH ETTEDGUI 1938 - 2010


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Say it Black with Swarovski!

    Dress & Shoes Sonia Rykiel
    It is not very often that journalists get to ‘co-design’ with a well-known brand. I had that tiny little window of opportunity recently, well sort-of, when I was invited to visit the showroom of Swarovski® in London to preview their latest spring summer 2011 collection. Many top name fashion designers, jewellery and accessory brand names in the UK and around the world do work closely with Swarovski and when you see glittering elements on catwalk, you can almost bet on it that it’s from Swarovski.  After previewing the new collection at the showroom, Swarovski told us about a project that will conclude in a charity auction in New York in September. Now we all know that in every woman’s wardrobe, there’s got to be that all important LBD (little black dress) to see us through all those occasions when we don’t know what to wear. Last year, Swarovski commissioned 22 of fashion’s best-known names and newcomers to design one very special little black dress each. If you’re looking for that ultra-special black dress, and would like to do some good for the American Cancer Society and La Lique Nationale Contre le Cancer in France, look out for the auction at Phillips de Pury & Company (an established auction house for contemporary art and culture), in September in New York. Austria-based Swarovski will be auctioning off the 22 black dresses together with a commemorative hardbound book called Crystallized™ Ways to Say Black, featuring the original black dresses by Giorgio Armani Privé, Givernchy by Riccardo Tisci, Lanvin by Alber Elbaz, Sonia Rykiel, Vivienne Westwood, Missoni as well as Marios Schwab and Phillip Lim, and many more.  Back at the London showroom, after the briefing, Swarovski offered me a little opportunity to customise our own black dress. Promptly a dress in my size was provided and we got to collaborate in choosing a decorative design to put on it. I picked a combination of a heat-transfer motif and round multi-faced black stones for a tone-on-tone effect, and a few minutes later I got my customized dress. The picture here shows the end result.
    photo by Lucia Carpio

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Say it Black with Swarovski!


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Iconic Liberty selling its Freehold

    Interior of LIBERTY perfect for displaying high fashion.  Photo by Lucia Carpio March 2010
    One of my all-time favourite “window-shopping” destinations is Liberty of London - the iconic fashion and lifestyle department store on the corner of Great Marlborough Street and Regent Street, in central London.  The wooden beams and panelling and ornate decorations inside the Tudor building are superb backdrops for showing off  “investment” fashion.  Just as I can’t see myself ever able to acquire a building as iconic as this to live in, I can’t see myself ever able to buy a £995 floral collage dress by Michael Van Der Ham, or a £865 silk paiseley dress by Etro, or (the list is too long to put down here … but you get the picture) on sale in Liberty. But whenever I am in the area I will try to head inside the Tudor building for a bit of re-charge and a quick dose of inspiration. Going through its maze-like shopping floors is almost as adventurous as Alice in Wonderland.
    Liberty’s125,000sq ft of retail space are stocked with many desirabe designer labels, from Preen to Stella McCartney and McQueen, but with sky-high prices beyond most fashionistas reach, business at this iconic store has been reportedly difficult.
    I am writing this today because I’ve just learned, as reported by Bloomberg, that Liberty is close to selling its freehold in a sale-and-leaseback deal in a move set to precede a sale of the operating business.  According to a statement from Liberty, it has exchanged contracts on the sale of the freehold store for £41.5m to Sirosa Liberty.  The retailer, which is 68% owned by hotel and property group MWB Group Holdings, is expected to announce the sale of its operating business in the next fortnight to Marco Capello, the former managing director of Merrill Lynch Global Private Equity, via his investment fund BlueGem Capital Partners.  It was six months ago that Liberty started a strategic review and decided to look for new investors, and had reportedly lured interest from the Robert Bensoussan, the former chief executive of Jimmy Choo and founder of Sirius Equity, and Hong Kong trading company Li & Fung.
    Long before I moved to the UK, I had known Liberty for its archive of iconic heritage prints, now still being sold.  Years ago after visiting London, I returned home to Hong Kong and gave my mother a couple metres of their paiseley fabrics and she made them into little frogs stuffed with sand. My mom is a sewing genius but somehow frogs was not what I had in mind.  Today, Liberty is an iconic fashion destination and hopefully the new deal will enable it to revolve into a more profitable inspirational independent store with more affordable clothes for tight-budget shoppers like myself.

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Iconic Liberty selling its Freehold


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Betty B casts her Alice in Wonderland Charm

    Betty B gingham dress SS10Why Tim Burton's adaptation of Lewis Carroll's Alice In Wonderland is a box office hit is beyond me.  I read in the Daily Telegraph that " Tim Burton's Alice in Wonderland has beaten Avatar to record the most successful opening weekend for a  3D film in North America."  Don't get me wrong.  I do adore Johnny Depp’s exhilarating Mad Hatter, Helena Bonham Carter’s lip-smacking Red Queen, Matt Lucas’s Tweedledum and Tweedledee, Danny Elfman’s soundtrack and love the spellbounding magical imagery and 3D effects.  But that was it.  However Alice's influence on fashion strikes top marks this Spring.  When I went around London this week to take a look, the Alice sweet-as-cupcakes effect - represented by all things girly, fun, cute and kitsch - is evidenced in many fashion brands and young designers' new collections.  From the floral and cutesy shoes at the Carnaby Street store of the quirky Brigihton-based Irregular Choice brand, to Darimeya's eclectic embellished dresses and big-eyed dolls at Kingly Court, and Desigual's naiively decorated pieces at its Regent's Street flagship, all play to our childish urges.  Then I recalled that Paris born designer Betty Bridge's new Spring Summer 2010 range of feminine dresses in country ginghams and florals carry a rustic charm, and a nostalgia-tinged sensibility.  Betty (who started her Betty B label two years ago) works with deadstock vintage fabrics and finds inspiration from her French roots:- her paternal grandmother was former seamstress for Coco Chanel and she spent her childhood summers in the sweet simplicity life of rural France.  She describes it as a ‘time warp’ where tradition, gingham and pleats were the fashion order of the day. Betty recognised a charm and practical elegance in this way of dressing which translates through in her collections season after season.  So if you are a great fan of the Alice magic, take a look at the mini slide show I have compiled below of all things cute and kitsch. 

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Betty B casts her Alice in Wonderland Charm


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All things Cute & Kitsch - the Alice in Wonderland "Sweet as Cupcakes" Effect

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All things Cute & Kitsch - the Alice in Wonderland "Sweet as Cupcakes" Effect


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Shapely Speedo Swimsuits

    From fashion designs recently seen on catwalk to blockbuster movie technology, the term 3-D seems to be poping up everywhere.  Shapeline by SpeedoSpeedo, the UK swimwear brand, recently utilised 3-D scanning of 5,400 women to study thousands of female figures in the UK and developed and launched a new range of swimsuits - the Speedo Sculpture Shapeline collection.  Now I have waited more than four months before I could announce this as Speedo had an embargo on it until 1st March.  I was one of the press members invited to the launch event at The Sanderson Hotel in London's west end, and was asked to go to the lovely Loft Suite for the briefing.  Upon arrival I saw three lovely ladies in bathrobes covering their bodies (presumably clad in the swimsuits underneath) and I was told they would take me to a private room to have my measurements done and to show me how the data was processed.  No worries, it was all very respectable.  I was promptly told my actual bra size (I'm not telling) and was explained that the new Shapeline range is billed as the nearest thing to made-to-measure body-shaping swimsuits on the market.  The revolutionary body-shaping swimwear had been developed based on statistics obtained from the study.  The statistics showed that 95 per cent of women fell into three categories of body shape, thus three styles are on offer.  To enhance the natural curves and re-balance proportions, all styles feature double-layered stomach panels and nipping in at the waist and hopefully allow women to feel more confident on the beach this summer.   My peer Jean-Pierre Adeline, founder of Sibilintimate.com comments: "There are, of course several other collections of shaping swimsuits but Speedo's new range is the first to offer appropriate styles for different body shape problems."   As for me, I will have to go buy myself one of these suits to try it out before I can give my own verdict. 

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Shapely Speedo Swimsuits


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Digital Imaging points the way Forward

    Belle Sauvage AW10 at On/Off - London Fashion Week
    Digital prints and imaging point the way forward for fashion.  It must be at least eight years since I first announced to my peers that prints were to take the industry by storm.  So I'm pleased to see the print evolution is continuing.  In February here in London, designers Virginia Ferreira and Christian Neuman of Belle Sauvage at their catwalk show - the label that already boasts the likes of Lady Gaga, La Roux, Sugarbabes, VV Brown, The Tings Tings, and Kate Perry as fans - offer up a mixture of classic and futuristic designs featuring heavy machinery prints inspired by the industrial imagery of German expressionism in the 1920s.  And as I had seen at the Premiere Vision fashion textiles fair in Paris previously, also in February, fabric producers Aker, Argonmenti Tessili and T.G.M. Tessuti showed distorted graphical images to great effect, as below.
    by Lucia Carpio
    Meanwhile, fabric mills ATT Concorde, Quorum, Lisa Spa,  and Clerici Tessuto Guest Div. - all also exhibitors at the February Premiere Vision in Paris, opted for oversized floral themes, as seen below.  The use of colours and the scale of the designs bring newness to the evolution of prints.

    by Lucia Carpio

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Digital Imaging points the way Forward


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London's Iconic Carnaby Street as it is today!


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London's Iconic Carnaby Street as it is today!


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50 years of Carnaby Street


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50 years of Carnaby Street


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London's Iconic Carnaby Street Turns 50!

    Photo by Lucia Carpio
    This year, London's iconic Carnaby Street celebrates 50 years of fashion and music, with a unique exhibition 'Carnaby Street: 1960 – 2010' to take you on a trip down memory lane.   I went to 38 Carnaby Street to take a look at the exhibition put up to commemorate the half-century anniversary.   I've posted the oldie-looking slide presentation directly above to show you a few things seen at the exhibition.  It is hard to imagine that some 500 years ago, the area where Carnaby Street now occupies in London was just a green field site with a well and scarecrow.  I'm too young to remember but in the Swinging 1960s, when London was the place to be for musicians, Carnaby Street was associated with the iconic characters linked to such music heritage as The Rolling Stones, Sex Pistols and Jimi Hendrix.     The central feature of the exhibition (set up in a shop space at  38 Carnaby Street) is a unique 3-D timeline which illustrates key people, events and happenings in the area from 500 years ago, to the iconic characters associated with Carnaby’s music heritage of the 60s, and the way it is today.  It remains today a fashion destination, combining grass-root exuberance with big business success as independent boutiques co-exist alongside major brands, and their flagship and concept stores, to form a unique, international space.    A limited edition book of the same title: ‘Carnaby Street: 1960 - 2010’ marks the occasion, featuring images from ‘60s photographer Philip Townsend and exclusive interviews with people who have lived and worked in Carnaby Street including The Who’s Pete Townsend.  Hope you'll enjoy the slide shows above.
    The exhibition and book are the work of acclaimed curators and fashion historians Judith Clark and Amy de la Haye, who have curated exhibitions at major international museums including the V&A and Mode Museum in Antwerp.  The exhibition will run until the beginning of April 2010 and is FREE admission. It will be followed by a series of events throughout 2010 to celebrate Carnaby’s 50th Anniversary including a live music weekend in June and a unique fashion show in September.
    Today the area spans from Kingly Street in the West (a block behind Regent Street and including Kingly Court) to Marshall Street/Broadwick Street in the East, and from Fourbert's Place in the North, encompassingNewburgh Quarter, to Beak Street in the south.  Take a look at my slide presentation above of how Carnaby Street looks today.

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London's Iconic Carnaby Street Turns 50!


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Black is the new Black for Womenswear Autumn 2010

    Very by Vero Moda; photo by Lucia Carpio

    Womenswear autumn 2010 collections present a more sophisticated and sombre colour palette, and black continues to hail supreme, while highlights include turquoise, tomato red, stripes, sexy tights and short dresses, draping, intarsia knits, and novel trouser shapes, as seen at PURE LONDON, held in February.  Organisers at Emap reported record number of visitor numbers -  up by 23% year on year (compared to February 2009) - demonstrating a new sense of optimism as the UK economy slowly recovers from the recession.

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Black is the new Black for Womenswear Autumn 2010


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